PAUL AT PAULOOMEN.INFO
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- Articles
- On 4DSOUND
- A dramaturgy of spatiality
- On Nikola Tesla
- Opera in the 21st century
- 1. Paul augustus 2009
- 2. Geert september 2009
- 3. Paul oktober 2009
- 4. Paul augustus 2009
- 5. Geert september 2009
- 6. Paul oktober 2010
- 7. Geert september 2009
- 8. Paul augustus 2009
- 9. Geert september 2009
- 10. Paul oktober 2010
- 11. Geert september 2009
- 12. Paul oktober 2010
- 13. Paul augustus 2009
- 14. Geert september 2009
- 15. Paul augustus 2009
- 16. Geert september 2009
- 17. Paul augustus 2009
- 18. Geert september 2009
- 19. Paul augustus 2009
- 20. Geert september 2009
- 21. Paul oktober 2010
- 22. Paul augustus 2009
- 23. Geert augustus 2010
- 24. Paul oktober 2010
- 25. Geert augustus 2010
- 26. Paul oktober 2010
- 27. Geert augustus 2010
- 28. Paul oktober 2010
- 29. Geert augustus 2010
- 30. Paul oktober 2010
- 31. Geert augustus 2010
- 32. Paul oktober 2010
- 33. Geert augustus 2010
- 34. Paul oktober 2010
- 35. Geert augustus 2010
- 37. Paul oktober 2010
- On the future of opera
- On the future of composed music
- Amsterdam E@rport > arrival
- Letter to the minister of culture
- A topology of musical encounter
- Destination > Amsterdam Earport
- Introduction to the physical reality of music
- From cultural traditions to personal perspectives
- The art of folkmusic
- The collector
- Flexible musical environments
- Introduction to the personal realities of music
- Roots and branches
- Imperialists and Emigrants
- Individualistics > DNA of musical consciousness
- Generalistics
- Personalistics
- Materialistics
- Conceptualistics
- Contextualistics
- Introduction to the collective realities of music
- The mediator
- Differences and limitations
- Generalistic collectives
- Personalistic collectives
- Materialistic collectives
- Conceptualistic collectives
- Contextualistic collectives
- Poly-individualistic collectives
- Introduction to the sounding reality of music
- The art of musical encounter
- Positional collaboration
- Heterogeneous collaboration
- Homogeneous collaboration
- Transpositional collaboration
- The composer
- Inherency and abstraction
- The art of failure
- Complexity and simplicity
- Introduction to the digital reality of music
- Dynamic personal profiles
- The art of semantics
- Infrastructure of a virtual city
- From global village to local developments
- The listener
- Considering the museum as performance space
- Source and inspiration
- Contact